NORTHERN CENTRE FOR CONTEMPORARY ART//2025
The work is a projected text piece made from digitally animated wax letters. Each letter was first produced physically using stencilled graphite-infused wax on paper, then filmed as it melted under heat. These melting letters were edited, inverted, and reassembled digitally into words and poetic fragments that appear in silvery light before dissolving back into darkness.
The title draws on Ecce Homo — “Behold the Man” — from the Gospel of John, and queers it as Behold the Homo. Projected onto a wall, the work also recalls the biblical image of mysterious writing appearing on a surface before it can be understood. Here, text behaves like flesh, wax, light, and residue: it appears, is read, begins to fail, and returns as trace.