NORTHERN CENTRE FOR CONTEMPORARY ART//2019
The work draws on the theological formulation of the word becoming flesh, but reconfigures it as a cyclical process. This is performed through a series of projected, multiplied figures whose movements take on a liturgical and mythic quality, as though the viewer has entered a speculative space of ritual or worship.
Here, inscription does not precede the body, nor follow it, but emerges through movement, surface, and repetition. My practice prays as text becomes flesh and flesh becomes text.